3/23/2023 0 Comments Lume lowellOverall, I think the combination of the three photographs created a pretty cool winter scene. It was sharper and more saturated and felt like it was more a part of the finished scene. I found a Look in the Winter collection titled, “Crisp and Clear,” and found it made the perfect adjustment to the light leak. It was looking good, but then I took a look at the Luminar Looks panel. Again I added an image layer and applied a Lighten blend mode to it. Then I started playing around with the light leak photograph. I made sure to keep the river a dark black. Wanting more light on the bridge, I then added a Highlights/Shadows filter, and brushed in the filter on the bridge in order to boost the shadows. I brushed in the parts I wanted to light more, which was mainly the bridge and snow. I applied a Lighten blend mode to the image layer and then turned back the opacity to 70%. Then I brought in the second photograph, where the snow and bridge were lit by the Lume Cube. I took down the highlights and white levels in order to make the car trails a bit more subdued, and also bumped up some basic adjustments like contrast and clarity. Using Luminar 3, I decided to first work on the initial car trail image. Satisfied, I went home and starting composing the final image. Depending on what direction I aimed the light, and how far away I was, I got completely different and unique results. I had the Lume Cube AIR on its lowest power setting, making sure not to overdo it. This time, I turned my camera on manual, and captured a 1-second exposure, holding the Lume Cube about four inches away from my lens, at the upper right. I attached a warming diffuser to the AIR, making for a nice yellow glow that I could attach to the scene. Using the same settings as before, one round of the Live Composite was enough to get the effect, as it brought in all the light Dan had added to the scene.Īfter playing around with the idea of bringing in an LED light into a long exposure when I was in Los Angeles with Shaun Kenan King, I decided to try the same effect here - except with a Lume Cube AIR. Then I had him angle the Lume Cube up a bit, which lit the bridge. Again using Live Composite mode, I had Dan shine a Lume Cube at the snow, which lit the foreground. I wanted the snow to be brighter, and I wanted the exterior of the bridge to be brighter. While I loved the car trails, there were two things missing. I drove the car through the bridge twice, creating the scene, while my friend Dan watched our cameras. After putting my Live Composite to f/4, ISO 800 and 20 seconds, I had a shot I was happy with (you can do this with a long exposure, too). Amazingly enough, it lit the sign on the top of the bridge, creating an ideal focus point.įrom there, I set up my shot. But I put it on full power and went to work with it. I stood pretty far back, and I wasn’t sure if it would be powerful enough to reach. With no light to grab focus with, I pulled out my Lume Cube and lit the bridge. Finally, I would bring in a Lume Cube Air with a warming diffuser, to create a sort of light leak effect in the corner of my photograph. Then I would light the snow and the bridge with a Lume Cube, put up all the way to full power. First, I would focus on the car trails, creating a Live Composite photograph with my Olympus OM-D E-M1X. There was also no light on at the bridge - this part of town was still without power after a major freezing rain storm earlier in the week. But upon arriving at the bridge, there was one problem - there was no easy way to get up close to the bridge to light it. I decided to bring my Lume Cubes along, thinking that I could light paint the bridge, similarly to how this barn shot turned out.
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